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What a Site Costs

The most-asked question in this category, and the most-dodged answer.

Our bands are the four on our own contact form: $1k–$3k, $3k–$7k, $7k–$15k, and $15k+.

Here is roughly what each one buys, and the five things that actually decide which one you land in.

How much a website costs: what moves the number

Whether the design exists. A finished, well-built design file is the single biggest lever there is. Design and build together is a different project from build alone, and it is the first thing any honest quote asks about.

How much of the content you can edit yourself. Pages are cheap to build and expensive to own; collections cost more up front and hand you the keys. That choice moves a project more than page count does.

The number of genuinely distinct layouts, not the number of pages. Twelve pages built from four layouts is a smaller job than six pages that each look nothing like the others.

Anything with state: forms that route somewhere, a booking flow, a search that filters, a second language. Each of these is a system rather than a screen, and each moves the band.

Whether the content exists. Waiting on copy is the most common reason a fixed scope turns into an open one, and it is a cost even when nobody invoices for it. It is also the single best predictor of whether a three-week timeline holds.

The DeinSitz homepage: the price, the legal standing and the no-lock-in terms stated in the hero.

Roughly what each band buys

$1k–$3k: one page doing one job. A landing page with a handful of sections, one call to action, built from a design that already exists. Zero is this shape: a single screen, one promise, one button, and the hover state designed as carefully as the rest.

$3k–$7k: a marketing site. Several pages, one or two collections you can edit yourself, a form that routes somewhere real. Dein Sitz sits here: a German-language site selling a Munich business address, with a booking flow and the terms in the hero.

$7k–$15k: a bigger site, or a smaller one designed from scratch. More layouts, several collections, more than one flow, sometimes a second language. This is also where design-and-build lands when there is no file to start from.

$15k+: something with a system behind it. Accounts, per-user data, real integrations, a marketplace, or an ongoing build rather than a delivery. At this point the question stops being what the site costs and becomes what the app has to do.

Where budgets actually get eaten

Almost never by the thing that was quoted. It is the page added after the design was signed off, the second decision-maker who appears in week three, and the content that was going to be ready.

None of those are unreasonable: projects change. The problem is discovering them one at a time, which is how a clear number becomes a running total.

The cheap fix is naming the scope precisely enough that a change is visible as a change. If adding a page is obviously adding a page, everyone can decide whether it is worth it. If the scope was vague, nobody can tell the difference between a change and a misunderstanding.

What the number does not include

A build price is the build. Around it sits a small set of running costs that are nobody's surprise if they are named on day one and everybody's argument if they are not.

Hosting and the platform itself. A Webflow site on a paid site plan runs from roughly $14 a month for a simple site to around $39 for one with a CMS, billed annually, and a workspace seat on top if your team needs one. It is not a large number. It is a number, and it should appear in the proposal rather than in the first invoice after launch.

The domain, and the email that goes with it. Ten to twenty dollars a year for the domain, a few dollars a month per mailbox. Trivial money, occasionally a real delay, because the person who registered the domain four years ago has left the company and nobody knows the login.

Fonts licensed for the web. A typeface licensed for a desktop mockup is not automatically licensed for a website, and the web licence is often priced by monthly page views. This is the line item most likely to be discovered late, and discovering it in the last week is not a cost, it is a redesign.

Photography, and the stock that stands in for it. A page built around images inherits whatever those images cost, and a shoot is frequently the largest single number in a project that was quoted as a website.

Anything with a monthly fee behind it: the booking engine, the CRM, the review widget, the translation service. One integration is routine; the subscription behind it is still real money, and it is yours after we leave.

And the changes after launch. Not a defect, a fact: sites that earn anything get edited. Decide up front whether that is your team on a CMS, an hourly rate with us, or a small monthly retainer, because the version where nobody decided is the version where a broken form waits until Monday.

Fixed price, hourly, or retainer

Three shapes, and the right one is decided by how well the scope is known rather than by preference.

Fixed price works when the scope is knowable: a defined set of pages, a design that exists or will be made inside the same project, a launch date. Both sides carry a risk they can price. It is the shape almost every marketing site should use, and it only stays honest if the scope is written precisely enough that a change is visibly a change.

Hourly or a day rate works when the scope genuinely is not knowable yet: an ongoing programme of work, a site being rebuilt in pieces, a discovery phase that will decide the real project. It is the right answer more often than agencies admit, and the wrong answer any time it is being used to avoid writing a scope.

A retainer works after launch, not instead of a launch. A fixed monthly sum for changes, fixes and small additions, with a stated response time. It is worth buying when the site is genuinely part of how the business runs, and worth refusing when the honest volume of work is two hours a quarter.

One thing to watch in all three: a price produced before anyone asked what the site has to do is a price that will change, and the change is never downward. That test is on the hiring checklist for a reason.

Questions we get asked

How much does a website cost in 2026?

For a small business marketing site built from an existing design, most of the market sits between $3,000 and $7,000. A one-page landing site starts around $1,000, a larger site designed from scratch runs $7,000 to $15,000, and anything with accounts, per-user data or a live integration behind it starts at $15,000 and is really a different kind of project.

Why do website quotes vary so much for the same brief?

Because the brief is rarely the thing being priced. Five factors move a number far more than page count: whether the design already exists, how much of the content you can edit yourself, how many genuinely distinct layouts there are, whether anything has state behind it, and whether the copy exists today. Two quotes that differ by a factor of four have usually made different assumptions about those five.

Is a cheap website worth it?

Sometimes, and it depends entirely on whether it can be extended. A cheap page built on a real structure is a sensible first step that grows into a site. A cheap page with everything hard-coded and no content model cannot be extended at all — it can only be thrown away, which makes it a rehearsal you paid full price for.

What are the ongoing costs of a website?

Hosting and the platform plan, the domain and email, any web font licence, subscriptions behind integrations, and whatever changes cost you after launch. For a typical Webflow marketing site that is roughly $20 to $50 a month before anyone edits anything.

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